I discuss Hypersurfaces, computational arts, my PhD work on audiovisual scene synthesis, perception, Machine Learning, GANs, NFTs, crypto, simulated realities, video games, the merger of it all, and journeys with Mochi on the R Mochi Poqcast:

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Oh, the Places You’ll Go!

Congratulations!
Today is your day.
You're off to Great Places!
You're off and away!

You have brains in your head.
You have feet in your shoes
You can steer yourself
any direction you choose.
You're on your own.  And you know what you know.
And YOU  are the guy who'll decide where to go.

You'll look up and down streets.  Look 'em over with care.
About some you will say, "I don't choose to go there."
With your head full of brains and your shoes full of feet,
you're too smart to go down any not-so-good street.

And you may not find any
you'll want to go down.
In that case, of course,
you'll head straight out of town.

It's opener there
in the wide open air.

Out there things can happen
and frequently do
to people as brainy
and footsy as you.

And when things start to happen,
don't worry.  Don't stew.
Just go right along.
You'll  start happening too.

OH!
THE PLACES YOU'LL GO!

You'll be on your way up!
You'll be seeing great sights!
You'll join the high fliers
who soar to high heights.

You won't lag behind, because you'll have the 

Terry Riley
In C

Performing Directions:

All performers play from the same page of 53 melodic patterns played in sequence. Any number of any kind of instruments can play. A group of about 35 is desired if possible but smaller or larger groups will work. If vocalist(s) join in they can use any vowel and consonant sounds they like.

Patterns are to be played consecutively with each performer having the freedom to determine how many times he or she will repeat each pattern before moving on to the next. There is no fixed rule as to the number of repetitions a pattern may have, however, since performances normally average between 45 minutes and an hour and a half, it can be assumed that one would repeat each pattern from somewhere between 45 seconds and a minute and a half or longer.

It is very important that performers listen very carefully to one another and this means occasionally to drop out and listen. As an ensemble, it is very desirable to play very softly as well as very loudly and to try to diminuendo and crescendo together.

Each pattern can be played in unison or canonically in any alignment with itself

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Brian Whitman, Ph.D. MIT Media Lab: Music, Mind, Machine. On the subject of the Eigenradio.

All those stations, playing all that music, all the time… Who has enough time in the day to listen to them all? Eigenradio plays only the most important frequencies, only the beats with the highest entropy. If you took a bunch of music and asked it, “Music, what are you, really?” you’d hear Eigenradio singing back at you. Eigenradio makes its optimal music by analyzing in real time dozens of radio stations at once. When our bank of computers has heard enough music, it will go to work on making more just like it. What you hear on Eigenradio is the best of New Music, distilled and de-correlated. One song on Eigneradio is worth at least twenty songs on old radio. This season, as a present to friends worldwide, our system listened to as much Christmas music as it could handle. When it was done it synthesized these sixteen new timeless classics.

Get the Christmas album

Try it out
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