Archived entries for tintarts
Memory at the Kinetica Art Fair 2010
I had the pleasure of exhibiting one of my works, Memory, with glass artist Agelos Papadakis at the Kinetica Art Fair 2010, from February 4-7th, 2010. The work was presented by TINTarts as well as another piece by Dave Murray-Rust, Agelos Papadakis, and Owen Green, called ChaoDependant. The fair was an incredible selection of contemporary artists and historical collections of kinetic and interactive art. I’ll be looking forward to next year.
Also worth checking out is a panorama with some interesting viewing options: www.z360.com/full/kinetica/
If you click to find the ‘Balcony’, you will see both ChaoDependant and Memory off to the side as well as Dave Murray-Rust and Agelos Papadakis in the foreground.
As well, here is a link to our work on artstream: http://www.artstream.org/artists/view/250
I’ve also uploaded pictures on my flickr account
Add-art
TINT’s online exhibition using Add-art has gone live!
Here is what the website has to say about our piece:
… Continue reading...Parag K Mital and Agelos Papadakis – Memory
Parag K Mital and Agelos Papadakis have worked together on a number of occasions, their piece Memory, being the most celebrated. In this piece, they explore augmented sculpture in an installation environment, allowing the audience to become an integral part of the sculpture. Creating great tension in the viewer, they have literally chained together brilliant works of glass resembling neurons to create entangling neural networks of 25 face-sized glass pieces together in a 3×3×5 meter industrial warehouse space. Within two of the glass neurons are hidden cameras tracking audience member’s faces and recording them to a computer hidden above. Using a projector and projection mapping onto each neuron, a recorded clip of one of its audience members plays as a neural network of different faces occasionally firing with a mesmerizing display. Through the disarrayed glass, ones face morphs ever so slightly, though those familiar with that face are able to recognize it still. However, the majority of faces may seem unknown to the audience members and serve merely as a memory of the